Filmmaker James Rutenbeck wearing glasses, a gray t-shirt, and a black and gray plaid flannel shirt standing outdoors with fallen leaves on the ground and a wooden fence in the background.

James Rutenbeck is a two-time Emmy® Award-winning filmmaker whose documentaries have screened at Cinéma du Réel, the Museum of Modern Art, National Gallery of Art and Robert Flaherty Film Seminar. His feature documentary A Reckoning in Boston premiered at Big Sky Documentary Film Festival and screened at Human Rights Watch Film Festival and Morehouse College Human Rights Film Festival, where it received the Best Feature Award, before airing nationally on the PBS series Independent Lens. His new short film, Tornado Tastes Like Aluminum Sting, created with actor, artist and playwright Harmon dot aut, was praised by Peter Keough in The Arts Fuse as an "exhilarating, palimpsest-like" work.

James is also a two-time recipient of the Alfred I. duPont–Columbia University Award, recognized for his work as episodic producer of Unnatural Causes: Is Inequality Making Us Sick? and as executive producer, director and editor of Class of ’27, a nonfiction anthology exploring the lives of young children in three rural American communities. Class of ’27 streams as an Editor’s Pick at The Atlantic. His short film Nixon's Reversal received a 2024 News & Documentary Emmy® nomination for Outstanding Graphic Design.

Three of his early films made in rural America—Raise the DeadCompany Town and Losing Ground—are preserved in the Smithsonian Institution's Human Studies Film Archives. They are available for viewing on Folkstreams.

As an editor, James’ credits include the Emmy® Award-winning NYT Op-Doc My Disability Road MapZoot Suit RiotsJimmy Carter and Roberto Clemente for the PBS series American Experience; the Peabody Award-winning DEEJ; and The Ride Ahead, which premiered at Hot Docs, aired on POV and received the 2026 News & Documentary Emmy® Award for Outstanding Social Issue Documentary.

Early in his career, James edited three films for director Judith Wechsler—Jasper Johns: Take an ObjectHarry Callahan and Aaron Siskind: Making Pictures—all distributed by the Museum of Modern Art.

James’ film work has been supported by the Sundance Documentary Fund, LEF Moving Image Fund, Southern Humanities Media Fund and the Corporation for Public Broadcasting. He was a 2019–20 Fellow at Harvard University Film Study Center and a 2021 Poynter Fellow at Yale University. In 2016, he was inducted into the Hall of Fame at Central Community High School, his alma mater in DeWitt, Iowa. He is currently directing an anthology of short films made with non-speaking autistic people and their allies across the United States, exploring communication, community and relationships through collaborative nonfiction filmmaking.